<\/p>\nAt the turn of the century the awareness of DNA entered the collective consciousness of the world. We have incarnated into this human experience as divine beings with a blueprint, a set of instructions. We know that a very small percentage (3%) of those instructions make up our physiology.<\/p>\n
<\/font>Carl Sagan writes that most of our genetic information (about 97%) is unused DNA. He refers to this as “genetic gibberish.” Is it possible that most of who we are still lies dormant as our human potential? <\/p>\nIn the old paradigm of religion, “potential” remained a mystery to the human mind, therefore we coined a mystical term called “SPIRIT.” “Spirit” was something that was detached from who we were, something we didn\u2019t have and could only be gained through the systems of most religions. <\/p>\n
The old paradigm and its premise stated that we began as biology in the womb of our mothers. Telliard deChardin tells us that we are not a human being trying to attain a spiritual experience, but, rather, we are spiritual beings having a human experience.<\/strong> This shift in perception causes a tremendous difference in the way we perceive ourselves in this third\/fourth time-space continuum. <\/p>\nBeing a student of “A Course In Miracles” in the late \t\t80\u2019s, I was faced with a dichotomy in the idea that we are not a body. I \t\tnever understood this statement fully until I began to study Quantum \t\tPhysics which tells us that everything is energy and matter is not as \t\tsolid as we perceive it to be.<\/strong> I believe what is being stated is that at the deepest level we are not separate, as a body, as a spirit, as a soul \u2014 we are just energy-beings. This is the level of consciousness being opened to us from which a new paradigm is emerging for the purpose of healing all separation. The popular term, “The Divine, is in me”- makes “me” separate from the Divine. May I suggest a shift in the saying to: “The Divine, AS me” to remove the separation.<\/p>\nAs we move from genetics and concepts like Soul, “Soul Mates” and “Soul work,” we move beyond physical diagnosis, into a new field of quantum physics. In this new field, where consciousness is seen as a unified field where everything is everything else, (T.O.E. Theory – The Theory of Everything) \u2014there are no boundaries. There is no “this” or “that;” no you or me. It is a pure field of awareness \u2013 consciousness. I solved the dichotomy about “we are not our body” by changing my perception of genetics to energetics – realizing that we are not meant to ignore our physiology, but recognize the body as energy, vibrating at a very dense frequency. <\/p>\n
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<\/strong><\/em><\/font> <\/p>\n Repairing DNA<\/strong><\/em><\/font><\/p>\n <\/p>\nI was first introduced to DNA in 1988 when I was going through a transitional period, during which I felt that I had come to the end of everything that I believed. A tape was given to me of a gentleman speaking in an accent, (which I thought at the time, was rather boring), and I didn\u2019t understand what he was talking about. Then all of a sudden, as I was ready to turn it off, he said: “Quantum physics has found that there is no empty space in the human cell, but it is a teeming, electric-magnetic field of possibility or potential.” <\/strong> <\/em>That\u2019s all he said! But whatever frequency was contained in those words, RESONATED something inside the CORE of my BEING \u2014 and I had a KNOWING in me that the NOTHING I thought I was looking at was the EVERYTHING. Much like in Zen, and the idea of becoming “as an empty bowl.” Eastern Religions (including the Bible) refer to it as the VOID \u2013 The Nothing that is EVERYTHING \u2013 The Womb of Creation. I knew that I was experiencing a re-birth! The person on that tape was Dr. Deepak Chopra. <\/p>\nI had never heard of Deepak Chopra in 1988, as he was just coming on the scene about that time. I credit him for a very important transition in my life, just from the statement he made on that tape. Today, in retrospect, I would call my response to that statement a “cellular memory experience.” We know that intelligence is stored within the cells of the body, and when the right resonance comes and releases that information to become inherent information or inherent KNOWLEDGE \u2013 that comes from the true Self. That is why so many of us seem to jump form one stimuli to another looking for what will resonate in us.<\/p>\n
The work being done today with energy at the cellular level really excites me, since I had been very interested in DNA before it became a household word. In fact, I think it took me two years just to learn how to pronounce it (deoxyribonucleic acid did not roll off my tongue quickly). But, I was determined to understand this tremendously powerful energetic blueprint for life, as we know it, at the cellular level on this planet. DNA became a part of the collective consciousness when CNN produced a special on the Genome Project in 2000. <\/p>\n
As I pursued my passion for the study of DNA, I attended a workshop by Dr. Robert Girard from California on DNA Activation. His work focused on using certain sounds and frequencies to activate DNA and I started doing DNA Activation workshops. Through those workshops, an article was given to me that reported how biochemists are using the frequency 528Hz to repair human DNA. The article stated that it was a “C.” When I read that I thought, “All I would need to do is go to a piano or other instrument and play a “C” and then, in the DNA workshops we would be able to repair DNA.” <\/p>\n
Well, it wasn\u2019t that simple, because I discovered that the regular “C” that we all know of in this culture (which is from the diatonic scale of do, re, mi, fa, so, la, ti, do) was not the 528 Hz frequency “C”, as described in the article. Instead, I discovered that a regular “C” vibrates to a frequency of only 512 Hz, and that the “C” of 528 Hz used in DNA repair had been a part of an ancient scale called the Solfeggio Scale<\/em>. Moreover, the difference in the scales existed because of different tuning methods that were utilized in ancient times, vs. those in general use today. Later, we will explore that difference between how we create music today vs. how we used to create it, and how that simple change has made all of the difference in the world. <\/p>\n <\/p>\n
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How I found out about the Ancient Solfeggio \t\tFrequencies<\/strong><\/em><\/font><\/p>\nI found this ancient scale to be part of a 6-tone scale sequence of electro-magnetic frequencies called the Original Solfeggio Scale through the book “The Healing Codes of Biological Apocalypse” by Dr. Leonard Horowitz. These particular frequencies were rediscovered by Dr. Joseph Puleo, who received them in a wonderful experience that some would suggest was mystical. These frequencies are not something new, but they are something very old. <\/font><\/p>\n <\/font> <\/font><\/p>\nI shared the information about these frequencies with a musician friend who had a studio in her home. After reviewing the information, she decided that she would like to experiment with these frequencies in the form of meditation music. She was also in touch with Jonathan Goldman (author of the book, “Healing Sounds”) and he knew of these frequencies, and was using them in some of his music such as “The Lost Chord” CD. Aryiana requested that he have the tuning forks made for her to research the frequencies. I asked if she could also have a set made for me.<\/font><\/p>\n <\/font> <\/font><\/p>\nAfter I received the tuning forks and began talking about them around the country, I noticed that people were resonating with the information about these powerful frequencies. It felt as though something was going on in a much larger picture. We were connecting energetically to this information, and yet I didn\u2019t know what I was going to do with the tuning forks. Then people began to ask if I could use the tuning forks on them. From those experiences, and with information I had gathered, a method and technique began to develop. I called the technique SomaEnergetics<\/font>TM<\/font>, which is designed to utilize the optimum energy of the Solfeggio frequencies using tuning forks. Soma, meaning “body” in the Greek, combines the wholistic<\/em> idea of the body as an energy field – SomaEnergetics<\/font>TM<\/font>.<\/font><\/p>\n <\/font> <\/font><\/p>\nWhen starting these first tunings, the main frequency that I knew the most about was 528 Hz \u2013 that biochemists are using for DNA repair. I realized that the right side of the body is controlled by the left-brain, and the left side by the right brain and that these correspond with our inner male and female energies. As I took the fork down each side of the body, I could get in touch with the dominate ancestral DNA that comes thru the Mother\u2019s side or Father\u2019s side of the chromosomes. I would many times get a tremendous imbalance in the sound between the two sides. The purpose of energy work, as many of you know, is to attain balance. For example, if everything is in balance, such as the ph level, the physical body can heal more naturally. It\u2019s the same way in our energy bodies. If we can find that energy balance, that equilibrium, where everything aligns or everything comes into synchronization into the rhythm of the dance of life \u2013 then healing becomes the natural state. It\u2019s nothing supernatural, or miraculous. I think a lot of spiritual texts have referred to this idea when they describe, “going home to heaven.” Heaven, to me, is the complete synchronization with higher frequencies and vibrations of creation being totally entrained. In other words, being in a state of at-one-ment. <\/font><\/p>\n <\/font> <\/font><\/p>\nWhen I would continue to do the technique, the sound would begin to even out between the male and female sides of the body, and the client would indicate they were “feeling” a shift. As that would occur, I was totally amazed, and asked myself, “What is happening here?” Although I\u2019ve been a speaker of spiritual things for over 40 years, I can\u2019t tell you that I\u2019ve been the most intuitive person in the world. All of a sudden I started having certain feelings about what to do with the forks. I found that at some point in working with the client, I stopped “doing” the tuning forks (being the initiator of the technique), and they started “doing me” \u2013 seeming to direct the movement of the Forks! After hundreds of tunings and positive testimonies, I have learned to trust the Ancient Solfeggio Scale frequencies in the form of Tuning Forks as a legitimate modality.<\/font><\/p>\n <\/p>\n
<\/font> <\/strong><\/em><\/font> <\/p>\n Energy and Relationship<\/strong><\/em><\/font><\/p>\n <\/p>\nEverything is relationship. I remember Dr. Fred Wolf, who is a physicist stating on a tape “Everything is consciousness.” He further noted, “When you are observing an object, on some level the object is observing you.” As I listened to that statement, I thought it was strange. I then realized that because something doesn\u2019t have a human consciousness, as I do, that doesn\u2019t mean it doesn\u2019t have it\u2019s own consciousness. Apparently, observing something changes it on some level \u2013 that the observer, and the observed are one. <\/p>\n
I treat the Solfeggio tuning forks as a conscious “entity.” They are energy, they\u2019re vibration, they\u2019re frequency \u2013 the client is vibration, frequency and energy \u2013 I am vibration, frequency and energy. All of that coming together begins to produce a synergetic experience that takes place on many levels. The energy bodies that we focus on using the Solfeggio Frequencies are the physical, the etheric, the mental\/emotional, and the astral. <\/p>\n
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<\/font> <\/strong><\/em><\/font> <\/p>\n Sound, Vibration and Form<\/strong><\/em><\/font><\/p>\n <\/font><\/p>\nFor more than 200 years, researchers have been validating the connections of Sound and Vibrations on physical form. The first to make that connection was German scientist Ernst Chladni, who, in 1787, detailed his research in his book “Discoveries Concerning the Theory of Music.” In that pioneering work, he explained ways to make sound waves generate visible structures. He detailed how a violin bow, drawn at a right angle across a flat plate covered with sand, produces patterns and shapes. Today, those patterns and shapes are called Chaldni figures. (Coincidentally, Chaldni died in 1829, the same year as Beethoven. Mozart, a Free Mason, heavily influenced Beethoven about the mathematics of music, and likely influenced Chaldni as well).<\/font>1<\/font><\/p>\n <\/font> <\/font> <\/font><\/p>\nIn 1815, Mathematician Nathaniel Bowditch followed up on Chaldi\u2019s discoveries. He concluded that the conditions for these designs to arise were because the frequencies, or oscillations per second, were in whole number ratios to each other\u2014such as 1:1, 1:2, 1:3 and so on.<\/font>2<\/font><\/p>\n <\/font> <\/p>\nThe study of wave phenomena, the ability of sound to organize and repattern matter, is called Cymatics<\/strong>. According to John Beaulieu, in Music and Sound in the Healing Arts<\/em><\/u>, “Form is the more elusive component of sound. Sound-forms can be seen by subjecting mediums such as sand, water, or clay to a continuous sound vibration.” The following pictures taken by Dr. Hans Jenny are sound-forms. They were obtained by placing various mediums on a steel plate with a crystal sound oscillator attached to the bottom. The Oscillator creates a pulse, which vibrates the steel plate. The forms on the plate are examples of sound organizing matter.” Jenny also “noticed that when the vowels of ancient languages like Hebrew and Sanskrit were pronounced, the sand took the shape of the written symbols for those vowels. “Modern languages, including English, failed to generate those patterns.”<\/p>\n <\/font> <\/p>\n“Space is not empty. It is full, a plenum as opposed to a vacuum, and is the ground for the existence of everything, including ourselves. The universe is not separate from this cosmic sea of energy.” David Bohm<\/p>\n
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<\/font> <\/font><\/p>\nJenny concluded that were examples of cymatic elements everywhere\u2014”vibrations, oscillations, pulses, wave motions, pendulum motions, rhythmic courses of events, serial sequences, and their effects and actions”\u2014and they effected everything including biological evolution. The evidence convincingly demonstrated that all natural phenomena were ultimately dependent on, if not entirely determined by the frequencies of vibration. He argued that physical healing could be aided or hindered by tones. Different frequencies influenced genes, cells, and various structures in the body, he claimed. <\/font><\/p>\n <\/font> <\/u><\/font><\/p>\nVibration of Music of the Spheres:<\/u> “Every cell pulsates, reflects and interacts with acoustic oscillations of the medium. Even the earth and sun vibrate in unison based on a main rhythm of 160 minutes. Each musical note is therefore united to non-audible notes of higher octaves, and each symphony to other symphonies that we do not hear, and although they make our cells oscillate and possibly resonate. Even DNA has it\u2019s own melody. The musical nature of nuclear matter from atoms to galaxies is now recognized by official science.”<\/font>3<\/font> In “ Molecules of Emotion,”<\/strong> by Candice Pert, Ph.D<\/strong>., she writes, “\u2026 basically, receptors function as scanners (sensing molecules, on a cellular level). They cluster in cellular membranes, waiting for the <\/font><\/p>\n <\/font><\/p>\nright ligand (much smaller molecules than receptors), to come dancing along (diffusing) through the fluid surrounding each cell, and mount them \u2013 binding with them and (tickling ) them to turn them on and get them motivated to vibrate a message into the cell. Binding of the ligand to the receptor is likened to two voices, striking the same note and producing a vibration that rings a doorbell to open the doorway to the cell.”<\/font><\/p>\n <\/font> <\/font><\/p>\nPoet Cathie Guzetta summarized this science best when she wrote: <\/font><\/p>\n <\/p>\n“The forms of snowflakes and faces of flowers may take on their shape because they are responding to some sound in nature. Likewise, it is possible that crystals, plants, and human beings may be, in some way, music that has taken on visible form.” <\/p>\n
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<\/font><\/font> <\/font> <\/strong><\/em><\/font> <\/p>\n How Did The Solfeggio Frequencies Get Lost?<\/strong><\/em><\/font><\/p>\n <\/font> <\/font><\/p>\nI discovered that these powerful frequencies had been given to the church many years ago for a very spiritual purpose. This was back when the church was a wonderful place for the people in the villages to gather together. The church served as a social, political, and spiritual place. People came to Mass, which at that time, was done in Latin (until Vatican II came along). When people sing in Latin or musical tones, it is very powerful, because it gets through all of the limited thought forms, and into deeper levels of the subconscious \u2013 accessing insights beyond belief systems. <\/font><\/p>\n <\/font> <\/font><\/p>\nAs described above by Dr. Candice Pert, PhD, energy and vibration go all the way to the molecular level. She states that we have 70 different receptors on the molecules and when vibration and frequency reaches that far they begin to vibrate. Moreover, she observed, “as they begin to vibrate they sort of touch each other, and tickle each other, and they play and mount each other.” It\u2019s this whole energetic dance<\/em> ritual, at the cellular level, that opens the chromosomes and exposes the DNA to the frequencies. When we do toning, drumming, chanting, or tuning forks \u2013 it can be a way to direct energy for transformational purposes. <\/font><\/p>\n <\/font> <\/font><\/p>\nVibration and sound can be used, like most things, either with positive intention or negative intention. Used negatively, it\u2019s nothing more than control and manipulation. Most of the world has been built upon control and manipulation by the way we communicate thru language. A lot of different texts, such as the Bible, talk about the importance of just making Sound\u2014whether it\u2019s chants, drumming, or speaking in tongues (such as the charismatic fundamentalists do), they are just different ways that people are accessing deeper levels of themselves. I suggest to you that the Solfeggio Tuning Forks are an even purer ways of doing that with positive intention. <\/font><\/p>\n <\/font> <\/font><\/p>\nWhen Dr. Joseph Puleo was researching the tones, he was directed to a Monsignor at a university in Spokane WA, who was head of the mediaeval department. Following a 20 minute conversation, the clergyman asked what he could assist Dr. Puleo with:<\/font><\/p>\n <\/font> <\/font> <\/font><\/p>\n“Can you decipher Mediaeval Latin?\u2019<\/font><\/p>\n <\/font><\/p>\n\u2018Absolutely!\u2019<\/font><\/p>\n <\/font><\/p>\n\u2018And you know the musical scale and everything?\u2019<\/font><\/p>\n <\/font><\/p>\n\u2018Absolutely!\u2019<\/font><\/p>\n <\/font><\/p>\n\u2018Well then, could you tell me what \u2018UT – queant laxis\u2019 means?\u2019<\/font><\/p>\n <\/font><\/p>\nAfter a brief pause, the Monsignor quipped, \u2018It\u2019s none of your business\u2019 <\/font><\/p>\n <\/font><\/p>\nThen he hung up.”<\/font>1<\/font><\/p>\n <\/font> <\/font> <\/font> <\/font> <\/font><\/p>\nAdditionally, as Dr. Puleo researched the tones further, he came across a book on Gregorian chants by Professor Emeritus Willi Apel who “argued that the chants being used today were totally incorrect, and undermined the spirit of the Catholic faith.”<\/font>1<\/font> Moreover, Professor Apel reported that “one-hundred fifty-two chants were apparently missing. The Catholic Church presumably “lost” these original chants. The chants were based on the ancient original scale of six musical notes called the Solfeggio.”<\/font>1<\/font> Trust me, nothing is lost, it\u2019s just neatly put away; however, they cannot hide from the masses what is energetically placed within the Soul. <\/font><\/p>\n <\/font> <\/font><\/p>\nAccording to Professor Willi Apel,<\/font>1<\/font> “The orgin of what is now called Solfeggio…arose from a Mediaeval hymn to John the Baptist which has this peculiarity that the first six lines of the music commenced respectively on the first six successive notes of the scale, and thus the first syllable of each line was sung to a note one degree higher that the first syllable of the line that preceded it. By degrees these syllables became associated and identified with their respective notes and as each syllable ended in a vowel, they were found to be peculiatly adapted for vocal use. Hence “Ut” was artificially replaced by “Do.” Guido of Arezzo was the first to adopt them in the 11th century, and Le Marie, a French musician of the 17th century added “Si” for the seventh note of the scale, in order to complete the series.”<\/font><\/p>\n <\/font> <\/font><\/p>\nFurther research states that, “Pope Johannes later became a saint – Saint Iohannes – and then the scale was changed. The seventh note “Si” was added from his name. “Si” later became “Ti.” These changes significantly altered the frequencies sung by the masses<\/em>. The alterations also weakened the spiritual impact of the Church\u2019s hymns. Because the music held mathmatic resonance, frequencies capable of spiritually inspiring mankind to be more “Godlike,” the changes affected alterations in conceptual thought as well, further distancing humanity from God.” In other words, whenever you sing a Psalm, it is music to the ears. But it was originally intended to be music for the soul as well or the “secret ear.” Thus by changing the notes, high matrices of thought and to a great extent well being, was squelched. Now it is time to recover these missing notes.”<\/font>1<\/font><\/p>\n <\/font> <\/font> <\/font><\/p>\nI\u2019d heard of do, re, me, fa, so, la, ti, do. I particularly responded to it whenever I hear that song by Julie Andrews from “The Sound of Music.” I literally have a “brain cell firing” as it is engraved into my brain, and I see her coming over the mountain in the movie. I didn\u2019t realize this was actually a second, modified scale. The original Solfeggio scale was actually: UT, RE, MI, FA, SO, LA. <\/font><\/p>\n <\/font> <\/font><\/p>\nLooking at the definitions of each of the original syllables, using hidden entries from Webster\u2019s Dictionary and the Original Greek Apocrypha, I have determined that these original frequencies can be used for: Turning grief to joy, helping the person connect with their Source to bring forth miracles, DNA repair, connecting with spiritual family, solving situations & expressing \t\tyourself and finally, becoming more intuitive.<\/font>2<\/font> Through music these tones can assist all the channels in staying open and keep the life force (the Chi) literally flowing thru the Chakra System quite freely. Is this is what the six electro-magnetic frequencies were to accomplish that were put into “lost” hymns and Gregorian chants? <\/font><\/p>\n <\/font> <\/font><\/p>\nI think we are living in a tremendously wonderful time, and rather than seeing the glass as “half empty,” I see it as “half full.” Rather than accepting “CNN\u2019s perspective” of the world view, it\u2019s about finding perspective thru the vision of your own heart. It is about change and transformation of mankind to the next level of evolution. We, as Spiritual Light Workers, have made ourselves accessible at this time, by Divine Appointment, to be here to help those in humanity who choose (it\u2019s all based upon irrevocable choice) to stay, or to go. Those who have chosen to stay will come into our lives, and we have already agreed to assist them. <\/font><\/p>\n <\/font> <\/font><\/p>\nIt\u2019s all about assisting other people. It\u2019s not to be their “Healer,” but to assist them in knowing who they are and connecting with their true Source. It is about providing an atmosphere of non-judgement, a Sacred Space, for the purpose of healing themselves. We should be continuously teaching while assisting people. The old paradigm teaches us to keep the information among the professionals. The new paradigm is to share the information, and empower the client. Everyone you work with\u2014whether it\u2019s Reiki, Massage, Tuning Forks or other modalities you are using, you should feel that you\u2019ve empowered that person, so they can extend this information to someone else. Healing has become about our evolution by reconnecting our additional strands of DNA. Healing is also about assisting the person in restoring themselves to a state of “Spiritual Wholeness.” <\/font><\/p>\n <\/font> <\/p>\n1 “Healing Codes for the Biological Apocalypse” by Dr. Leonard Horowitz, p. 345-6
2 Ibid.
3 From “Man\u2019s Cosmic Game” by Guiliana Conforto<\/p>\n
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Article by David \t\t\tHulse, D.D. –